Tag Archives: Women-In-Film-In-Music

Winter Film Awards: 3rd Annual 48-Hour Film Challenge What can YOU do in just 48 hours?

9 Oct

7 October 2014

WINTER FILM AWARDS challenges the local New York City community to create a 4-7 minute short film in a specified genre, tagline and prop in just a single gonzo weekend! Thirty teams of the most creative people in the tri-state area have just 48 sleepless hours to decide what they are going to do, write a screenplay, assemble props, costumes and actors, rehearse, shoot, score and edit their film. Students, amateurs, and seasoned industry veterans alike learn the importance of caffeine, team work and time management in successful filmmaking.

For the 2012 Challenge, teams had to contend with a large brightly-colored snowflake sugar cookie and a tagline from Fight Club. For the 2013 Challenge, we made it even more difficult — Teams had a tagline from Ghostbusters and Gray Line New York provided each team with one-hour private shooting time on a double-decker sightseeing tour bus, complete with Tour Guide and Driver. What will we come up with this year?

Visit the WFA YouTube playlist to view all of the amazing films from last year.

The 2014 WFA 48-Hour Film Challenge gets under way on Friday November 7 at 8pm. A representative from each team must come to our offices at 419 Lafayette Street, New York NY 10003 at 8pm to sign in to the Challenge. Entries may be shot either via traditional filmmaking equipment or teams can do the whole thing on smartphones. There is no fee to participate in the challenge, but teams must pre-register to ensure a spot.

Completed films are uploaded to YouTube to garner the coveted “Fan Favorite” vote – for the 2013 Challenge, films received 65k views!

On Friday November 21, the best entries will be screened at Blondies (212 W 79th St, New York NY 10024) followed by an Award Ceremony, awesome prizes and networking party. Over $7k in prizes will be awarded for BEST PICTURE and FAN FAVORITE. Awesome prizes generously provided by B&H Photo, Ride of Fame, Jungle Software, Indoor Extreme Sports, The Paint Place, Chelsea Piers, Sleep No More / The McKittrick Hotel, Pole Position Raceway, NY SKYRIDE, City Wine Tours and others!

For challenge rules, prizes, registration details, participating sponsors and more information about the Winter Film Awards, please visit www.WinterFilmAwards.com

WINTER FILM AWARDS mission is to recognize excellence and diversity in cinema and to promote learning and expression for all artists at all stages of their careers. We celebrate the cultural mixture that is New York City, showcasing emerging filmmakers from every age, ethnic, racial, religious, cultural, political and geographic perspective. The 48-Hour Challenge format gives filmmakers a chance to work closely with a team and to intensely focus while just going out and doing it!

Winter Film Awards INC.
info@winterfilmawards.com

5 Movies Directed by Women You Need to See this Summer [Reposted from Bustle]

12 Jun

3 June 2014

Reposted from https://womeninfilminmusic.wordpress.com/wp-admin/post-new.php

By Maitri Mehta

Timothy Hiatt,Getty Images Entertainment, Getty Images

Timothy Hiatt,Getty Images Entertainment, Getty Images

In your “Women are Tragically Underrepresented” news of the day, the Washington Post’s Christopher Ingraham blogged today that of the 39 major studio releases scheduled to hit the theaters this summer, only one single feature is directed by a woman. It’s a statistic that isn’t surprising — Hollywood is notoriously unkind to female directors and writers; but it’s still frustrating.

Who says that women can’t tell beautiful, funny, adventurous cinematic stories? To soften the blow of the hard and fast facts about the dearth of women directing summer “blockbusters,” here are some female-directed films premiering this summer that are interesting, intriguing, hilarious, thrilling—you know, what you look for in summer films. Hey, it’s a miracle: the two aren’t mutually exclusive!

So while, of course, we’re all going to go see Angelina Jolie’s magnificent cheekbone action in Maleficent, consider supporting these female-directed films with your wallet, too. Because, as Ingraham notes, more than half of movie-goers are women, so why aren’t women being funded for top-slated box-office pictures? These offerings provide a chance to support women at the box-office and a respite from all the typical, explosion-filled fare of the summer blockbusters (though those are fun, too).

JUPITER ASCENDING

Mila Kunis and Channing Tatum (with some questionable blonde facial hair) star in this big-budget galactic action film directed by brother-sister duo Lana and Andy Wachowski, who brought us The Matrix and more recently, Cloud Atlas. Kunis plays Jupiter Jones, who cleans toilets back on earth but, with the help of Caine Wise (Tatum), learns that she is the genetic heir to the planet Earth and must save it from being harvested by evil aliens. Kunis wears a whole bunch of great Queen Amidala-esque outfits, and judging by the Wachowskis’ track record, Jupiter Ascending is going to be epic. Coming July 18.

LUCKY THEM

From indie director Megan Griffiths, Lucky Them stars the wonderful Toni Collette as music journalist Ellie Lug who is hanging on to her job, but barely. Ten years after her rock star boyfriend dumped her, she’s commissioned by her editor to track down her ex-boyfriend, who mysteriously disappeared. It also stars Thomas Haden Church as Charlie, who wants to make a documentary about Ellie’s search for what’s missing. Limited release on May 30.

OBVIOUS CHILD

A hit at the 2014 Sundance Film Festival, Obvious Child is the feature-length film debut for director Gillian Robespierre (the film is based on her 2009 short). It starts comedian Jenny Slate as the incredibly charming and goofy Brooklyn comedian Donna Stern who’s in a bad way — she gets dumped and fired all at once, and to top it all off, she has a one-night stand with a cute, innocuous dude that leads to an unplanned pregnancu. Obvious Child is about difficult choices, the misery of being a twentysomething, and refreshingly funny talk about abortion. Coming June 6.

HELLION

Aaron Paul! Aaron Paul! Ahem, Aaron Paul stars in Hellion, directed and written by Kat Candler. Paul plays neglectful, depressed single father Hollis in the bleak, sun-parched landscape of South Texas. He struggles to deal with the grief of the loss of his wife while fathering his two sons, Jacob and Wes, but he can’t stop 13-year old Jacob from rebellion and rage. Jacob is involved in a motocross gang and loves heavy metal, and his recklessness starts to become cause for concern with his family and the town. Juliette Lewis also costars. Coming June 13.

FRIENDED TO DEATH

A comedy directed and starring Sarah Smick, Friended to Death asks: if you died, who would come to your funeral? Friendless, semi-douchebag parking enforcement officer Michael Harris (played by lovable Ryan Hansen), fakes his own death and posts about it on Facebook, to see who’s really his friend and who’s just poking him online. Limited release May 2.

ALMOST BUT NOT QUITE: TAMMY

Okay, so Tammy wasn’t directed by a woman, unfortunately, but it was written by the illustrious Melissa McCarthy, and directed by her husband Ben Falcone. Plus it stars Susan Sarandon as Tammy’s drunken grandmother which is, if unbelievable, still amazing. Tammy’s down on her luck—she gets fired from flipping burgers, totals her ride, and loses her loser husband. Her only option is to take her grandma along for a ride to take control of her life (even if it means robbing gas stations). We bow down to thee, Melissa McCarthy. Coming July 2.

The European Independent Film Festival, 4 – 6 April

29 Mar

ÉCU 2014- The 9th Annual European Independent Film Festival will take place from April 4th to 6th at Cinéma Les 7 Parnassiens, 75014 Paris.

As well as the film screenings, festival attendees will have the opportunity to participate in an array of workshops as well as a series of ‘Meet the Directors‘ panel discussions, in which the audience pose questions directly to the filmmakers. There is also a full program of live music hosted by ÉCU’s partner Access Film-Music. Personalities from cinema, television and the arts, as well as filmmakers and film industry professionals, will mix with a cinema-loving public craving the energy, free spiritedness and innovation that embodies independent film.

Tonya S. Holly

Tonya S. Holly

Along with The European Independent Film Festival and Women-In-Film-In-Music and ESG Management School, HorizonVU Music has co-sponsored a study “Why, Where, What and How? Motivation Behind Film Viewership”. The preliminary results will be available and discussed throughout the Festival and during a special co-sponsored session on Sunday, 6 April at 10h30 led by Owner and CEO of Cypress Moon Productions, Inc., Tonya S. Holly. In addition to the survey results, a focus of the discussion will be on the issue of gender bias in the motion picture and music industries.

“We eagerly look forward to giving these great indie films the recognition they deserve by screening them to large audiences here in Paris,” said Scott Hillier, Oscar-honoured filmmaker and ÉCU’s founder. “In its 9th year, ÉCU continues its tradition of being a true filmmakers’ festival, in which directors develop their unique creative styles in a warm and welcoming environment.“

The 9th edition of ÉCU – The European Independent Film Festival in Paris, France, April 4th-6th 2014

12 Mar

ECU_2014_blog_logo

The 9th edition of ÉCU – The European Independent Film Festival will be held in Paris, France on April 4th-6th 2014.

ÉCU – The European Independent Film Festival is dedicated to the discovery and advancement of the very best independent filmmakers from around the world. We proudly provide a unique platform for risk-taking storytellers to reach the broadest audiences possible.

Our annual festival showcases films that demonstrate quality, innovation, and creativity in both form and content. These qualities are judged in 16 categories, 7 of which are open to non-European filmmakers (from the Americas, Australia, Africa, and Asia), and compete for 26 awards. Jury members come from around the globe, have a variety of backgrounds, and are all united in their desire to screen films that will truly impress and inspire attendees.

ÉCU has expressly established itself and is often referred to as the Sundance of Europe. As such, we are the perfect venue for bold and visionary filmmakers to present their work to the cinema-loving public who are actively seeking alternatives to commercial-hungry major studio projects. Our screenings of new and thought-provoking cinematic creativity attracts more than just the public, but agents, talent scouts, production company representatives, distributors, and established producers, all of whom are searching for inspiring projects and raw talent.

ÉCU – The European Independent Film Festival has a wide variety of events for attendees to participate in throughout the weekend. Following every screening session, there are Q&A’s where audience members can pose questions directly to the directors. Directors then have the opportunity to respond and speak about their work and process. An assortment of workshops focusing on a number of subjects and hosted by industry professionals are available to all attendees. ÉCU is also a strong supporter of musicians and live music can be heard throughout the entirety of the weekend. Every evening there are amazing after parties were attendees and filmmakers can unwind, ideas can percolate, and a general good time can be had by all.

Visit ÉCU – The European Independent Film Festival at http://www.ecufilmfestival.com/

Outstanding Independent Films Honored in Awards Ceremony in New York City

8 Mar

16 Outstanding Independent Films Honored in Awards Ceremony on March 1, 2014 in New York City

If you happened to stop by the Gray Line terminal on 8th Avenue last weekend, you might have noticed that there was a lot more going on inside than tour bus ticket sales. Unbeknownst to many, this building is home to a private theater where NYC’s Winter Film Awards held their Third Annual Independent Film Festival on February 26- March 1, 2014.

WFA festival patrons included NYC local filmmakers, arts enthusiasts, and international filmmakers who traveled across the world to see their films screened in front of a live audience, some for the very first time. Among the 61 films selected for screening this year was a diverse mixture of documentaries, shorts, features, animation, music videos and horror films, including 9 student films, 17 female directors and representation from over 20 countries.

The Festival concluded on the evening of March 1 with a gala Awards Ceremony and After-Party, held in the stunning Empire Room at the renowned event space club 230 Fifth. The dazzling awards show included live musical performances from Soleil J and Billboard artist Sessino and featured outrageous costume designs by Natasha Berezhnaya. The hosts for the evening were stand-up comedian Zach Garner and the breathtaking classically trained opera singer and runway model, Radmila Lolly. The entire show was filmed and live streamed to the web via Worldcast Inc, and viewers from all over the globe logged on to watch. Awards were given out in 16 categories including a new honorary award “Patron of the Cinema,” given to actor/screenwriter/director/editor Larry Fessenden for his outstanding contribution to the NYC film community.

AND THE WINNERS ARE …………
Best Picture ……. Behind Closed Doors (Nicolas Sicurella)
Best Actor ……. Gavin Brown (Found)
Best Actress ……. Tesha Moon Krieg (Maria)
Best Director ……. Scott Schirmer (Found)
Best Animated Film ……. Andrew: Story of a Closet Monster (Elliot Lobell)
Best Documentary ……. Not Anymore: Story of Revolution (Matthew VanDyke)
Best Foreign Language Film ……. Agnus Dei (Agim Sopi)
Best Horror Feature Film ……. The Gauntlet (Matt Eskandari)
Best Horror Short Film ……. I See Monsters (Federico Alotto)
Best Music Video ……. Masheenee Alcketiara (Ema Shah)
Best Original Score ……. Hipster! The Musical (Adam Blair)
Best Screenplay ……. Grace (Lynda Lemberg and Jeffrey Allen Russel)
Best Short Film ……. Baghdad Messi (Sahim Omar Kalifa)
Best Student Film ……. Job Interview (Julia Walter)
NY Perspectives Award ……. The Final Note (Mayeta Clark)

“I am very proud of our team this year,” says Winter Film Awards Founder and CEO George Isaacs. “As an organization we were able to use our resources to give back even more to the filmmaker. That is what we are all about – it is so important to celebrate the achievements of emerging filmmakers and we hope to watch them use this as a springboard into the industry.”

The 2014 Winter Film Awards Judges Panel was comprised of 15 industry individuals with diverse points of view, including 20-year industry veteran Frank Calo, production executive of “The Believer”, award-winning filmmaker Sam Borowski, Broadway and Hollywood composer Stephen Trask, cinematographer Mik Cribben, music personality Matt Pinfield, producer/writer/director Larry Rosen and Miss Albania Benardina Radi.

Winter Film Awards 2014 Independent Film Festival is proudly sponsored by GrayLine NY, B&H Photo, 20Grand Vodka, Coney Island Spirits, Cupcake Cartel NYC, Cyberlink, Fabric Mill, FearsMag, Final Draft Inc., Glidecam, Graphic Stock, Hunter Mountain, Indie Flix, Jo Malone London, JT Talent, Jungle Software, Pole Position Raceway, ProductionHub Inc, PS Print, Que Sabor Bakery, Ride of Fame, Rooftop Films, Sony Creative Software, SpotHero, Sweets First Bakery, Video Blocks, Viktor Koen, The Village Voice, Worldcast Inc and Ya Mastiha Liqueur

Winter Film Awards (WFA) is a volunteer-run and operated celebration of the diversity of local and international film-making. In addition to the annual Independent Film Festival, WFA hosts 4-6 events each year in New York City, including panel discussions, networking parties, a 48-Hour Film Challenge, archival cartoon screenings and other fun film-related events, and works with all local NYC film schools, colleges, arts high schools and many cultural societies.

For more information on WFA festival, sponsors, judges, and upcoming events
please visit www.WinterFilmAwards.com and find them on Facebook.

Baftas 2014: Dame Helen Mirren criticises growing portrayal of dead women in dramas as actress to receive British Academy Fellowship [Posted from The Independent]

18 Feb

Sunday 16 February 2014

Reposted from http://www.independent.co.uk/arts-entertainment/tv/news/baftas-2014-helen-mirren-criticises-growing-portrayal-of-dead-women-in-dramas-as-actress-to-receive-british-academy-fellowship-9131942.html

By Tomas Jivanda

Helen Mirren will tonight receive the Bafta fellowship Photo: Getty Images

Helen Mirren will tonight receive the Bafta fellowship
Photo: Getty Images

Helen Mirren, who will tonight receive the Bafta fellowship, has spoken out against the extensive images of dead young women in contemporary dramas.

Agreeing with playwright David Hare’s recent remark that he “can’t stand the body count in contemporary drama”, Ms Mirren, speaking to The Observer, added: “Most of those bodies are young women“.

Ms Mirren will be handed the British film industry’s highest honour by Prince William at the Bafta Awards this evening in recognition of a career that has ranged from portraying a hard-nosed detective in TV series Prime Suspect to Queen Elizabeth II in The Queen.

She said she was “thrilled and honoured” to be receiving the award, noting: “I don’t think Prince William would agree to hand me the award if he thought I had blown it in terms of performing as his grandma.”

Ms Mirren, who won a best-actress Oscar for The Queen, said she had never expected to get the fellowship, whose previous recipients include Charlie Chaplin, Alfred Hitchcock, Elizabeth Taylor and Judi Dench.

“I always imagined myself as a bit of an outsider, really, sort of the naughty girl,” she said.

Ms Mirren, 68, is no stranger to awards, but she said the prospect of making tonight’s acceptance speech was daunting.

“You think, ‘My God, I’ve got to talk about my whole life,”’ she said. “Not only my whole life – what movies mean, what movies mean to me, what they mean to all of us. And do it all in two minutes.”

The bigger the film, the fewer the women: Nominations for this year’s Oscars will prove Hollywood’s sexism [Posted from The Independent]

2 Feb

12 January 2014

Reposted from http://www.independent.co.uk/arts-entertainment/films/news/the-bigger-the-film-the-fewer-the-women-nominations-for-this-years-oscars-will-prove-hollywoods-sexism-9053697.html

By Charlie Cooper

Bigelow_Oscars

When Hollywood unveils this year’s Oscar nominations on Thursday, the list of hopefuls will include some big names, some new pretenders, but shamefully few of that rarest thing in Tinseltown – a woman in charge.

Though 2013’s crop of potential winners has been hailed for including several films with female producers, concerns remain that, in its upper echelons, the business is an unreformed “boy’s club”. Ahead of the 86th Academy Awards, recent research has highlighted shockingly few women among the directors of the highest grossing films of the past 10 years.

The fight for women’s place at the top of Hollywood’s hierarchy appeared to have been won when Kathryn Bigelow became the first woman to win the Best Director Oscar, for The Hurt Locker in 2010. She was, however, only the fourth woman to be nominated for the award in the academy’s history, and none has joined her on the list since.

Of the 10 films most likely to make the shortlist for Best Picture this year, six have women on the producing team – and, in the cases of American Hustle and Her, the same woman, Bigelow’s Zero Dark Thirty collaborator Megan Ellison.

But it is unlikely that anyone will be joining Bigelow on the desperately shortlist of nominated women directors.

And while the Producers Guild of America has announced that nearly half (47 per cent) of its 6,000 members are now women, the organisation has said it is “shocked” by research carried out by the Sundance Institute and Los Angeles-based Women in Film organisation, which found that women represented only 4.4 per cent of the directors of the 100 biggest box office films of each year between 2002 and 2012.

The figures also suggested that the bigger the budget of a film, the less likely it was to have a female director.

The British producer Alison Owen, one of three producers of Disney’s Saving Mr Banks, which is in the running for an Oscar nod, admitted that she was not surprised that a look beneath the surface revealed such wide economic disparities between men and women in Hollywood – at least when it came to blockbusters.

She told Variety that big budget films remained a male domain. “It’s more difficult for female directors, but a little easier for producers and writers,” she said, adding that the latter afforded more flexibility in terms of timing for women who wanted to have children. (Alison Owen is mother of singer Lily Allen.)

“In directing, it’s difficult to step off the ladder and have a few kids: people tend to be suspicious if you’ve been away too long.”

Of the top 100 highest grossing films of all time, only two have been directed by women: number 83, Phyllida Lloyd’s Mamma Mia! (2008), and number 68, Jennifer Yuh Nelson’s Kung Fu Panda 2 (2011).

However, the absence of women in leading roles on big-budget films also applied to producers in 2013. The year’s top live-action films at the box office are Iron Man 3, Man of Steel, Gravity, Fast and Furious 6, Oz the Great and Powerful, Star Trek Into Darkness and World War Z . Of 19 people listed as producers on these, three are women.

The Academy Awards itself faced a sexism controversy last year when Oscars host Seth MacFarlane, creator of the risqué cartoon comedy Family Guy, included in his script a poorly received gag about the singer Adele’s weight, as well as insinuating that Friends star Jennifer Aniston had been a stripper, and opening with a song that listed actresses who had shown their breasts on screen.

In a move seen by many as a deliberate about-turn, the Academy has chosen television host Ellen DeGeneres, a vocal campaigner for LGBT equality, to front this year’s ceremony.

Sundance Institute Examines Barriers & Opportunities for Women Filmmakers [Posted from BWWMovies World]

20 Jan

20 January 2013

Reposted from http://www.broadwayworld.com/bwwmovies/article/Sundance-Institute-Examines-Barriers-Opportunities-for-Women-Filmmakers-20140120

Today at a gathering of filmmakers, producers and members of the film distribution industry, at the 2014 Sundance Film Festival, Keri Putnam, Executive Director, Sundance Institute, and Cathy Schulman, President, Women In Film Los Angeles, announced significant growth of a collaborative initiative designed to achieve gender parity and sustainable careers for women working in filmed entertainment.

Recent expansions of the initiative, which launched two years ago, include a deepened mentorship program, new financing intensives, an expanded network of allied organizations and new and updated research, the results of which were also released today. The study was commissioned by Sundance Institute and Women In Film Los Angeles and was conducted by Stacy L. Smith, Ph.D., Katherine Pieper, Ph.D. and Marc Choueiti at Annenberg School for Communication and Journalism, University of Southern California.

Putnam said, “Our collaborative initiative has furthered the dialogue around the importance of women behind the camera. We are grateful to the researchers and allied organizations in lending their analysis and expertise to help us identify the most productive next steps to address existing challenges.”

Schulman said of the results, “In terms of our committed course of change for women, this year’s study is another invaluable tool in understanding how Sundance and Women In Film can help guide the industry to institutionalize permanent progress through our programs and collective influence.”

The research documented the gender distribution of filmmakers participating in Sundance Institute Feature Film Program (FFP) and Documentary Film Program (DFP) Labs between 2002 and 2013 to determine how many emerging female writers, directors and producers receive critical artistic support as part of their filmmaking background, and how this may affect their careers and the pipeline overall. It also updated last year’s inaugural study by quantitatively examining the gender of 1,163 content creators (directors, writers, producers, cinematographers, and editors) across 82 U.S. films selected and screened at the 2013 Sundance Film Festival. Lastly, the research delved deeper into the original qualitative interviews to further explore obstructions facing female directors and producers in the narrative space.

Key findings include:

ARTIST SUPPORT THROUGH SUNDANCE INSTITUTE LABS
• Female storytellers compete and flourish at Sundance Institute labs. Of the 432 lab fellows between 2002 and 2013, 42.6% were female. Women comprised 39.3% of fellows in the Feature Film Program (FFP) and 54.5% of fellows in the Documentary Film Program (DFP).
• Sundance Institute Lab projects helmed by women succeed at just shy of equal rates as male-helmed projects in production and top festival exhibition. The percentage of FFP lab projects completed did not vary by gender; roughly 41% of male-helmed and female-helmed projects were finished. 81.3% of all finished FFP films went on to play at the top 10 festivals worldwide, and of these, no gender differences emerged.

BARRIERS FACING FEMALE FILMMAKERS
The initial report revealed career obstacles that face female filmmakers, including gendered financial barriers, male-dominated industry networks, and stereotyping on set. We analyzed a subset of the original 51 interviews with industry thought leaders and seasoned content creators.
• When industry leaders think director, they think male. Traits were gathered from 34 narrative and documentary decision-makers and filmmakers. We explored whether attributes of successful directors reflect stereotypical characteristics of men or women. Nearly one-third of traits (32.1%) were coded as masculine and 19.3% feminine. Conceiving of the directing role in masculine terms may limit the extent to which different women are considered for the job.
• Putting female directors on studio lists is limited by stereotypes. A group of 12 individuals working in the narrative realm were asked specifically about hiring directors into top commercial jobs. Two-thirds (66.7%) indicated that there is a smaller pool of qualified female directors. Half mentioned that stereotypically male films (i.e., action, horror) may not appeal as job opportunities to female directors. These findings illustrate how a reliance on stereotypes creates decision-making biases that weaken women’s opportunities.

UPDATES TO LAST YEAR’S STUDY
• Of the 1,163 content creators working behind the camera on 82 U.S. films at SFF in 2013, 28.9% were women and 71.1% were men. The presence of women differed by storytelling genre: 23.8% of content creators were women in narrative films whereas 40.4% were women in documentary films.
• 2013 was an extraordinary year for women in documentary filmmaking at SFF. 42.2% of documentary directors and 49.2% of documentary producers were women at the 2013 Festival. Focusing on directors specifically by program category, 46.4% of U.S. documentary competition directors were female as were 30.8% of documentary premiere helmers.
• Female narrative directors saw gains and losses in 2013, but little overall change. For the first time, gender parity was achieved in U.S. dramatic competition movies in 2013 with 50% of all helmers being female. In contrast, only one of the 18 directors in the premieres section was a woman.
• Narrative directors at the 2013 Festival continued to outperform directors in the top 100 box office: Turning to the 100 top-grossing films of 2013, only 2 (1.9%) of the 108 helmers were female. This represents a 48.1% drop from the percentage of female directors in the Festival’s U.S. Dramatic Competition films.
• Examining female participation at the Festival as directors and producers from 2002 to 2013 revealed no meaningful change over time. Instead, the percentages of female participation often fluctuate but no continuous and sustained increases or decreases were observed across the 12 years. For dramatic features, females accounted for 24.4% of all competition helmers and 13.9% of all non-competition helmers. In documentaries, the percentage of female competition directors is 41.7% and 25% of non-competition helmers. From 2002-2013 17.1% of directors of U.S. narrative films and 35.3% of directors of U.S. documentary films at SFF were female.

This year’s mentorship fellows include Producer Brenda Coughlin (Dirty Wars), Director Marta Cunningham (Valentine Road), Director Mari Heller (Diary of a Teenage Girl), Director Shola Lynch (Free Angela and All Political Prisoners), Producer Jordana Mollick (Life Partners) and Producer Kim Sherman (A Teacher).

The Dove short film fellow is Cynthia Wade, who directed a short film entitled Selfie, with producer Sharon Liese. Cynthia was mentored by Academy Award-winning documentarian Barbara Kopple.

In addition, this past year Sundance Institute and Women In Film Los Angeles launched a Finance Forum in Los Angeles, where 68 female filmmakers with 58 industry advisors and guests participated. A second financing intensive will be presented in April 2014 in New York.

Sundance Institute and Women In Film Los Angeles also continued to meet with leading organizations working on gender in media. Allied Organizations involved in and lending counsel to the collaborative project include: AFI Conservatory; Alliance of Women Directors; Athena Film Festival; Chapman University; Chicken & Egg Pictures; Creative Capital; Film Independent; Fledgling Fund; Ford Foundation; FUSION Film Festival at NYU; GAMECHANGER FILMS; Geena Davis Institute on Gender in Media; IFP; IFP New York; Impact Partners Women’s Fund; Loreen Arbus Foundation; Los Angeles Film Festival; Loyola Marymount University; NYU; Paley Center for Media; Producers Guild of America; Reel Image Inc.; Tangerine; The Harnisch Foundation; Time Warner Foundation; UCLA; USC; USC/Annenberg; Writers Guild of America; Women and Hollywood; Women In Film NYWIFT; Women In Film; WIFV (DC); Women Make Movies; Women Moving Millions and Women’s Media Center.

The Sundance Institute and Women In Film Los Angeles collaboration is supported by Dove, Norlien Foundation, National Endowment for the Arts, The Gruber Family Foundation, J. Manus Foundation, Bhakti Chai, and The Harnisch Foundation.

Read more about Sundance Institute Examines Barriers & Opportunities for Women Filmmakers – BWWMoviesWorld by www.broadwayworld.com

Tonya S. Holly: Award Winning Owner and President of Cypress Moon Studios Speaking at The European Independent Film Festival 2014

2 Jan

Tonya S. Holly is schedulled to be the speaker at a special program held during The European Independent Festival (4-6 April), “Where Are The Women? Women-In-Film-In-Music”. The focus of the program is to improve the networking amongst persons interested in issues related to participation of women in executive roles in film and music (producer, director, senior technical advisors), understand the barriers and keys to success and develop action points. The program is sponsored by Women-In-Film-In-Music. Details concerning the date and time of the program will be available closer to the Festival.

Tonya S. Holly

Tonya S. Holly

Tonya S. Holly is the owner of Cypress Moon Studios. She has been in the film business for over 20 years. Her credits include such films as “Toy Soldiers” starring Louis Gossett Jr., and Sean Astin, and she did the casting on the Oscar award winning film “Blue Sky” starring Jessica Lange and Tommy Lee Jones.

She has worked with CBS, HBO, NBC, FOX, Morgan Creek, Universal, Buena Vista, and many other independent productions.

She also founded the Alabama Filmmakers Association in 1991 to help promote film in the state of Alabama and to develop sound stages in Northwest Alabama.

She produced and directed numerous plays, commercials, and the music video “This Day” which included over 30 songwriters and nearly 1000 voices.

She produced the largest gathering of Muscle Shoals musicians in history on a double CD set called “One Voice”.Tonya S. Holly

She also opened Gem-Star talent agency in 1989 to develop local talent in Northwest Alabama. “The Mirror” captures time and reveals a very compelling story without using dialogue. It is a risk that very few filmmakers have taken, but Tonya S. Holly proves that it was a risk well worth taking. This film is truly a work of art.

Tonya S. Holly’s feature film entitled “When I Find the Ocean” starring Lily Matland Holly, Diane Ladd, Lee Majors, Graham Greene, Richard Tyson, Bernie Casey, Amy Redford, George Lindsey, and David Fralick, has won many awards, such as the Kids First! Best Feature, Ages 12-18, Second place at the Reel Women International Film Festival, and many more.Tonya S. Holly is currently in development on her next feature film, “The Story of Bonnie and Clyde,” starring Sean Faris (Never Back Down) and Lindsay Pulsipher (True Blood).

Sundance US Competition List a Disappointing Tumble from Last Year’s Equality Benchmark

24 Dec

December 5, 2013

Reposted from http://blogs.indiewire.com/womenandhollywood/sundance-competition-list-a-disappointing-tumble-from-last-years-equality-benchmark

By Melissa Silverstein and Inkoo Kang

Still from 'Hellion'

Still from ‘Hellion’

At last year’s Sundance Festival, the future looked rosy, with half of all U.S. narrative features and documentaries in the Park City lineup coming from female filmmakers.

It was a promising benchmark — and sadly — not one that was able to be replicated this year. And let’s be clear, Sundance is really thinking about representation. They are doing research. They have created programs to try and address the disparity. These numbers reflect an industry wide problem, and Sundance with its visibility is a place we can mark the forward steps and also acknowledge when things go in the reverse. Picking movies is not a perfect science. You start with what you are given. And clearly last year there were enough exemplary female directed narrative films and this year not as many. The team picks the best movies they see and we want it to stay that way. We just are always glad when we see that women are making the “best” movies just like the guys.

The place that needs the most work is the U.S. narrative-feature competition, where a paltry 25% — 4 out of 16 — of the films are directed by women. And in the US documentary category, where we know women have more success, this year 6 of the 16 films in competition are directed by women — still not the same as the 8 that were included last year.

But, all the news is not bad.

Women-directed films reached near parity in the World Cinema Dramatic Competition and in the World Cinema Documentary Competition it was divided evenly between male and female filmmakers. And, women outnumbered the men in the Next group, where films with an “innovative, forward-thinking approach to storytelling” will compete.

The final breakdown of the entrants are as follows:

U.S. Dramatic Competition: 4 of 16 are women

U.S. Documentary Competition: 6 of 16 are women

World Cinema Dramatic Competition: 5 of 12 are women

World Cinema Documentary Competition: 6 of 12 are women

Next: 6 of 11 are women

Below is the full list of women-directed films in the competition: (all descriptions from Sundance)

U.S. DRAMATIC COMPETITION

Presenting the world premieres of 16 narrative feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film.

Hellion / U.S.A. (Director and screenwriter: Kat Candler) — When motocross and heavy metal obsessed, 13-year-old Jacob’s delinquent behavior forces CPS to place his little brother Wes with his aunt, Jacob and his emotionally absent father must finally take responsibility for their actions and each other in order to bring Wes home. Cast: Aaron Paul, Juliette Lewis, Josh Wiggins, Deke Garner, Jonny Mars, Walt Roberts.

Infinitely Polar Bear / U.S.A. (Director and screenwriter: Maya Forbes) — A manic-depressive mess of a father tries to win back his wife by attempting to take full responsibility of their two young, spirited daughters, who don’t make the overwhelming task any easier. Cast: Mark Ruffalo, Zoe Saldana, Imogene Wolodarsky, Ashley Aufderheide.

The Sleepwalker / U.S.A., Norway (Director: Mona Fastvold, Screenwriters: Mona Fastvold, Brady Corbet) — A young couple, Kaia and Andrew, are renovating Kaia’s secluded family estate. Their lives are violently interrupted when unexpected guests arrive. The Sleepwalker chronicles the unraveling of the lives of four disparate characters as it transcends genre conventions and narrative contrivance to reveal something much more disturbing. Cast: Gitte Witt, Christopher Abbott, Brady Corbet, Stephanie Ellis.

Song One / U.S.A. (Director and screenwriter: Kate Barker-Froyland) — Estranged from her family, Franny returns home when an accident leaves her brother comatose. Retracing his life as an aspiring musician, she tracks down his favorite musician, James Forester. Against the backdrop of Brooklyn’s music scene, Franny and James develop an unexpected relationship and face the realities of their lives. Cast: Anne Hathaway, Johnny Flynn, Mary Steenburgen, Ben Rosenfield.

U.S. DOCUMENTARY COMPETITION

Sixteen world-premiere American documentaries that illuminate the ideas, people, and events that shape the present day.

Cesar’s Last Fast / U.S.A. (Directors: Richard Ray Perez, Lorena Parlee) — Inspired by Catholic social teaching, Cesar Chavez risked his life fighting for America’s poorest workers. The film illuminates the intensity of one man’s devotion and personal sacrifice, the birth of an economic justice movement, and tells an untold chapter in the story of civil rights in America.

E-TEAM / U.S.A. (Directors: Katy Chevigny, Ross Kauffman) — E-TEAM is driven by the high-stakes investigative work of four intrepid human rights workers, offering a rare look at their lives at home and their dramatic work in the field.

Fed Up / U.S.A. (Director: Stephanie Soechtig) — Fed Up blows the lid off everything we thought we knew about food and weight loss, revealing a 30-year campaign by the food industry, aided by the U.S. government, to mislead and confuse the American public, resulting in one of the largest health epidemics in history.

Private Violence / U.S.A. (Director: Cynthia Hill) — One in four women experience violence in their homes. Have you ever asked, “Why doesn’t she just leave?” Private Violence shatters the brutality of our logic and intimately reveals the stories of two women: Deanna Walters, who transforms from victim to survivor, and Kit Gruelle, who advocates for justice.

Rich Hill / U.S.A. (Directors: Andrew Droz Palermo, Tracy Droz Tragos) — In a rural, American town, kids face heartbreaking choices, find comfort in the most fragile of family bonds, and dream of a future of possibility.

Watchers of the Sky / U.S.A. (Director: Edet Belzberg) — Five interwoven stories of remarkable courage from Nuremberg to Rwanda, from Darfur to Syria, and from apathy to action.

WORLD CINEMA DRAMATIC COMPETITION

Twelve films from emerging filmmaking talents around the world offer fresh perspectives and inventive styles.

52 Tuesdays / Australia (Director: Sophie Hyde, Screenplay and story by: Matthew Cormack, Story by: Sophie Hyde) — Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays. Cast: Tilda Cobham-Hervey, Del Herbert-Jane, Imogen Archer, Mario Spate, Beau Williams, Sam Althuizen. International Premiere

The Disobedient / Serbia (Director and screenwriter: Mina Djukic) — Leni anxiously waits for her childhood friend Lazar, who is coming back to their hometown after years of studying abroad. After they reunite, they embark on a random bicycle trip around their childhood haunts, which will either exhaust or reinvent their relationship. Cast: Hana Selimovic, Mladen Sovilj, Minja Subota, Danijel Sike, Ivan Djordjevic. World Premiere

Liar’s Dice / India (Director and screenwriter: Geetu Mohandas) — Kamala, a young woman from the village of Chitkul, leaves her native land with her daughter to search for her missing husband. Along the journey, they encounter Nawazudin, a free-spirited army deserter with his own selfish motives who helps them reach their destination. Cast: Nawazuddin Siddiqui, Geetanjali Thapa, Manya Gupta. International Premiere

Lock Charmer (El cerrajero) / Argentina (Director and screenwriter: Natalia Smirnoff) — Upon learning that his girlfriend is pregnant, 33-year-old locksmith Sebastian begins to have strange visions about his clients. With the help of an unlikely assistant, he sets out to use his newfound talent for his own good. Cast: Esteban Lamothe, Erica Rivas, Yosiria Huaripata. World Premiere

Viktoria / Bulgaria, Romania (Director and screenwriter: Maya Vitkova) — Although determined not to have a child in Communist Bulgaria, Boryana gives birth to Viktoria, who despite being born with no umbilical cord, is proclaimed to be the baby of the decade. But political collapse and the hardships of the new time bind mother and daughter together. Cast: Irmena Chichikova, Daria Vitkova, Kalina Vitkova, Mariana Krumova, Dimo Dimov, Georgi Spassov. World Premiere

WORLD CINEMA DOCUMENTARY COMPETITION

Twelve documentaries by some of the most courageous and extraordinary international filmmakers working today.

20,000 Days On Earth / United Kingdom (Directors: Iain Forsyth & Jane Pollard) — Drama and reality combine in a fictitious 24 hours in the life of musician and international culture icon Nick Cave. With startlingly frank insights and an intimate portrayal of the artistic process, this film examines what makes us who we are and celebrates the transformative power of the creative spirit. World Premiere

Love Child / South Korea, U.S.A. (Director: Valerie Veatch) — In Seoul in the Republic of Korea, a young couple stands accused of neglect when “Internet addiction” in an online fantasy game costs the life of their infant daughter. Love Child documents the 2010 trial and subsequent ruling that set a global precedent in a world where virtual is the new reality. World Premiere

Mr leos caraX / France (Director: Tessa Louise-Salome) — Mr leos caraX plunges us into the poetic and visionary world of a mysterious, solitary filmmaker who was already a cult figure from his very first film. Punctuated by interviews and previously unseen footage, this documentary is most of all a fine-tuned exploration of the poetic and visionary world of Leos Carax, alias Mr. X. World Premiere

My Prairie Home / Canada (Director: Chelsea McMullan) — A poetic journey through landscapes both real and emotional, Chelsea McMullan’s documentary/musical offers an intimate portrait of transgender singer Rae Spoon, framed by stunning images of the Canadian prairies. McMullan’s imaginative visual interpretations of Spoon’s songs make this an unforgettable look at a unique Canadian artist. International Premiere

SEPIDEH — Reaching for the Stars / Denmark (Director: Berit Madsen) — Sepideh wants to become an astronaut. As a young Iranian woman, she knows it’s dangerous to challenge traditions and expectations. Still, Sepideh holds on to her dream. She knows a tough battle is ahead, a battle that only seems possible to win once she seeks help from an unexpected someone. North American Premiere

Web Junkie / Israel (Directors: Shosh Shlam, Hilla Medalia) — China is the first country to label “Internet addiction” a clinical disorder. Web Junkie investigates a Beijing rehab center where Chinese teenagers are deprogrammed. World Premiere

NEXT <=>

Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Digital technology paired with unfettered creativity promises that the films in this section will shape a “greater” next wave in American cinema.

Appropriate Behavior / U.S.A., United Kingdom (Director and screenwriter: Desiree Akhavan) — Shirin is struggling to become an ideal Persian daughter, a politically correct bisexual, and a hip, young Brooklynite, but fails miserably in her attempt at all identities. Being without a cliche to hold on to can be a lonely experience. Cast: Desiree Akhavan, Rebecca Henderson, Halley Feiffer, Scott Adsit, Anh Duong, Arian Moayed. World Premiere

Drunktown’s Finest / U.S.A. (Director and screenwriter: Sydney Freeland) — Three young Native Americans — a rebellious father-to-be, a devout Christian woman, and a promiscuous transsexual — come of age on an Indian reservation. Cast: Jeremiah Bitsui, Carmen Moore, Morningstar Angeline, Kiowa Gordon, Shauna Baker, Elizabeth Francis. World Premiere

The Foxy Merkins / U.S.A. (Director: Madeleine Olnek, Screenwriters: Lisa Haas, Jackie Monahan, Madeleine Olnek) — Two lesbian hookers work the streets of New York. One is a down-on-her-luck newbie; the other is a beautiful — and straight — grifter who’s an expert on picking up women. Together they face bargain-hunting housewives, double-dealing conservative women, and each other in this prostitute buddy comedy. Cast: Lisa Haas, Jackie Monahan, Alex Karpovsky, Susan Ziegler, Sally Sockwell, Deb Margolin.

A Girl Walks Home Alone at Night / U.S.A. (Director and screenwriter: Ana Lily Amirpour) — In the Iranian ghost town Bad City, a place that reeks of death and loneliness, depraved denizens are unaware they are being stalked by a lonesome vampire.Cast: Sheila Vand, Arash Marandi, Dominic Rains, Marshall Manesh, Mozhan Marno, Milad Eghbali. World Premiere

Land Ho! / U.S.A., Iceland (Directors and screenwriters: Martha Stephens, Aaron Katz) — A pair of ex-brothers-in-law set off to Iceland in an attempt to reclaim their youth through Reykjavik nightclubs, trendy spas, and rugged campsites. This bawdy adventure is a throwback to 1980s road comedies, as well as a candid exploration of aging, loneliness, and friendship. Cast: Paul Eenhoorn, Earl Nelson, Alice Olivia Clarke, Karrie Krouse, Elizabeth McKee, Emmsje Gauti. World PremiereObvious Child / U.S.A. (Director and screenwriter: Gillian Robespierre) — An honest comedy about what happens when Brooklyn comedian Donna Stern gets dumped, fired, and pregnant, just in time for the worst/best Valentine’s Day of her life. Cast: Jenny Slate, Jake Lacy, Gaby Hoffmann, David Cross, Gabe Liedman, Richard Kind. World Premiere